Faculty Bio
Kathryn Lillich

Hailed as a “world-class vocal talent”, soprano Kathryn Lillich is quickly establishing herself as one of the most versatile vocalists in Southern California. Her performances as coloratura soprano and Celtic harpist draw praise from conductors, stage directors, and audiences alike. Most recently, Kathryn debuted at Carnegie Hall as the soprano soloist in Tarik O’Regan’s Triptych. Both composer and conductor agreed that hers was “the finest live performance of [O’Regan’s] beautiful score.”

Her past performances include the leading soprano role of Nannetta in Verdi’s Falstaff, Olympia from Offenbach’s Les contes d’Hoffmann,soprano soloist in Bach’s Coffee Cantata and Magnificat in D, Handel’s The Triumph of Time and Truth, Faure’s Requiem, and “Rose I” in Jonathan Sheffer’s contemporary comic opera Blood on the Dining Room Floor. She has performed with NAPA Music Festival, Repertory Opera Company, Claremont’s Candlelight Pavilion and as soloist at the American Choral Director’s Association convention in Madison, WI. She was the first winner of the “Candlelight’s Got Talent” competition and was awarded a full scholarship to NAPA Music Festival.

Kathryn is a student of UCLA’s Juliana Gondek and has coached with Richard Zeller, Rakefet Hak, and Eli Villanueva of LA Opera. She has also worked with a number of notable conductors, composers, and stage directors, including Metropolitan Opera’s Daniel Beckwith, John Alexander, Robert Istad, Jonathan Sheffer, Tarik O’Regan, and Marc Verzatt of the Yale School of Music.

Kathryn studied music education at Luther College in Decorah, IA. She has studied classical and improvisational teaching techniques, and is committed to an holistic approach to teaching. She brings together theory, anatomy, and musical expression making it accessible to students of all ages. Her students currently perform in the Los Angeles Children’s Chorus and have won several local talent competitions.

Voice