Kate Correnti

Instruments:  Voice, Piano

Bachelor of Arts, Music, University of La Verne

Lyric Coloratura soprano Kate Correnti is an experienced performer, specializing in solo concert work and choral/ensemble work. As a member of the Los Angeles Children’s Chorus for six years during her adolescence, Correnti has had the opportunity to perform in various projects with organizations such as the Los Angeles Philharmonic and the Los Angeles Opera. Professional highlights include small ensemble roles in LA Opera productions of Carmen and Britten’s Prodigal Son, and in LA Phil productions of Bernstein’s Mass, Alice in Wonderland, and the US premiere of Andrew Norman’s Trip to the Moon. Kate has had the privilege of working with conductors Gustavo Dudamel, Grant Gershon, James Conolon, and John Williams, as well as director, Yuval Sharon. She can be heard singing with the Los Angeles Children’s Chorus on the track “Dry Your Tears, Africa” on John Williams and Steven Spielberg: The Ultimate Collection.  Since her time in LACC she has graduated summa cum laude from University of La Verne with a Bachelor of Arts in Music. Kate is currently working at the Claremont Community School of Music, teaching voice and piano in addition to working with LACC as a chorus assistant. 

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Patrick DeJardin

Instrument: Piano

Bachelor of Music, Piano Performance & Music History, University of La Verne

Patrick DeJardin graduated from the University of La Verne, with a Bachelor of Music in Piano Performance and Music History. He studied under Grace Zhao Baugh and conducted research with Dr. Kathleen Lamkin. For his thesis, he studied the music of Frédéric Chopin and how his music was primarily exposed in the more intimate setting of Parisian Salons. Dealing with performance anxiety throughout his career, Patrick has explored many methods to help students become comfortable with their instrument in a performance setting. Patrick enjoys performing in smaller gatherings and frequently organizes salon-like concerts with other musicians and artists at his home.

As an educator, Patrick enjoys teaching students of all ages and exposing them to different kinds of music and art. He developed the piano program for LA Kids, which was designed to provide under-served children in Los Angeles with free interdisciplinary music and art classes. He focuses on encouraging students to achieve their highest potential, while also helping them to gain confidence with their instrument, both physically and mentally.

In his free time, Patrick enjoys trying different kinds of coffee, attending concerts, and studying the cello. Patrick is currently a cello student of Jean-Michel Fonteneau at The San Francisco Conservatory of Music. Students of Patrick have gone on to study at Azusa Pacific University and The Colburn School.

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Dr. Barbara Durost

Instruments:  Piano, Voice, Master Teacher

Doctor of Musical Arts, Conducting, Claremont Graduate School 

Master of Music, Piano Pedagogy, Catholic University of America

Bachelor of Music, Piano Performance, Anna Marie College

Barbara Durost studied with Robert Shaw, Donald Neuen, Michael Lamkin, Bela Bozormenyi-Nagy, Ney Salgado, and Maureen Egan. She was awarded the J. Merrill Knapp Fellowship from the American Handel Society in 1996, and in 1997 received a nomination into the International Who's Who in Music.

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Francisca Escobar

Instrument:  Piano, Orff Schulwerk, MYC

Bachelor of Child Development and Music, California Polytechnic University, Pomona.

Frannie (Francisca) Escobar graduated from Cal Poly Pomona with a bachelor's degree in Early Childhood Studies and Music.  She began studying piano at the age of five, with a focus in classical studies. At age ten, Frannie began studying clarinet. She discovered her passion for teaching children while in college, and she has been teaching piano for twelve years.

Frannie is passionate about teaching children. She teaches all ages, and specializes in the younger age group.  Her goal as a piano teacher is to allow each student to fall in love with the music that they are playing through learning, adapting the teaching style as the student grows. Frannie's lessons consist of an interactive experience, where children play piano, sing, and dance.  In her spare time, she enjoys playing music with her son and volunteering with the San Bernardino Sheriff Mountain Search and Rescue team.

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Andrew Gaxiola

Instrument: Piano, Voice

Bachelor of Music, University of La Verne

Andrew has a B.A. in Music (Voice) (Department Honors) from the University of La Verne and was a part of the ULV Chamber Singers for a number of years as the baritone section leader. During Andrew's time at La Verne, he received the Dean's Award for Academic Excellence in Undergraduate Inquiry and Creative Activity for his senior recital that featured the music of villains from classical musical theater works.  

Some of Andrew's musical theater credits include Gaston & the Beast in "Beauty and the Beast", the Baker in "Into the Woods", Lord Farquadd in "Shrek the Musical", Mr. Banks in "Mary Poppins", Horton the Elephant in "Seussical the Musical" and the Cowardly Lion in "The Wizard of Oz". 

Some choral credits include a 2019 Europe tour performing choral masterworks, Disneyland's Candlelight Processional starring Ginnifer Goodwin (2016) and Lana Parrilla (2015), and being in the 1000 person choir for Voctave's "The Corner of Broadway and Mainstream" album. In addition to musical theater, Andrew has been a character guest artist in multiple ballets including "The Nutcracker" as Dr. Stahlbaum.

Outside of performing, Andrew is a voice and piano instructor in addition to music directing and conducting Inland Valley Repertory Theater's "I Love Chorus" program and Camp IVRT. 

Andrew's holistic approach to vocal and musical instruction incorporates science and evidence based technique, ear training, creative activities, and mindfulness. It is Andrew's goal to make the learning process accessible, understandable, and fun! 

When Andrew is not performing or teaching, Andrew loves to binge episodes of Murder, She Wrote (he can never solve the mysteries) and traveling!

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Brian Glenn

Instruments:  Piano, Clarinet, Saxophone

Bachelor of Arts in Music, California Polytechnic University, Pomona

Brian Glenn began teaching piano, clarinet and saxophone in the Upland-Claremont area over 30 years ago. He holds a Bachelor of Arts in Music from Cal Poly Pomona, where he studied clarinet with Linda Silva.

He is currently a member of the Pomona Valley Branch of the Music Teachers Association of California (MTAC), where he has served in numerous positions within the organization and is currently a member of the branch Board. Within MTAC, Brian participates in the Certificate of Merit study program, which allows students the option to enroll in yearly statewide evaluations containing Repertoire, Technique, Sight-Reading, Theory and Ear Training components. He is also an active participant in Pomona Valley Branch recitals and music competitions.

Brian is also a member of other local music organizations and is on the board of a local annual music competition. He enjoys teaching students of all ages and likes to incorporate elements of theory, technique sight-reading and ear training into his lessons: all of which he believes helps students to build a strong musical foundation while they work to improve their skills and develop an appreciation for music.

 

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Tracy Grandy

Instrument:  Piano

Master of Music, James Madison University, Harrisonburg, Virginia

Bachelor of Music, Piano Performance, California State University, Fullerton

Bachelor of Arts, Piano Pedagogy, California State University, Fullerton

Tracy Grandy served as a full-time faculty member for twenty years at The New School for Music Study in Kingston, New Jersey. The New School was founded in 1960 by Frances Clark and her associate, Louise Goss. The school has attained national recognition for providing innovative piano instruction and advanced teacher training.  Ms. Grandy joined the faculty after completing a Master of Music degree at James Madison University in Harrisonburg, Virginia. She has worked with many of today’s leading pedagogues, including Louise Goss, Marvin Blickenstaff, and Ted Cooper. During her tenure at The New School, Ms. Grandy also performed in a series of faculty recitals held throughout every school year. In 2010, she participated in a recital of French music at Carnegie Hall as a 50th celebration of the school’s founding. 

In addition to teaching, Ms. Grandy has worked as an accompanist. She has performed in over thirty musicals, including productions by The Blue Ridge Theatre Festival in Harrisonburg, Virginia. As an accompanist for students of In Dal Choi, former concertmaster of the Seoul Philharmonic in Korea and voice instructor at James Madison University, Ms. Grandy performed in competitions and recitals held by the National Association of Teachers of Singing. Ms. Grandy has participated in various chamber music ensembles. She has accompanied university and church choirs in California, Virginia, and New Jersey. Over the past two decades, Ms. Grandy has also performed classical repertoire as well as Contemporary Christian music for worship services at several Presbyterian churches. She hopes to continue her work as an accompanist. She enjoys playing in different venues and looks forward to working with the many talented musicians who reside in the Claremont area.  

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Carol Hendrixson

Instrument:  Piano, Master Teacher

Bachelor of Arts, Scripps College

Carol Hendrixson studied piano with Clara Ingham, Lee Pattison, and Robert Turner. She completed training in collaborative arts with Jascha Veissi and Cesare Pascarella. Hendrixson served as both accompanist and piano instructor at California Institute of the Arts.

She completed Suzuki training in the United States through work with Harlow Mills, Constance Starr, Beverly Tucker-Fest and Mary Craig Powell. Hendrixson observed lessons in Japan and the U.S. with Haruka Kataoka. She experienced Dr. Suzuki's teaching style while accompanying an American violin student tour group in Japan.

Hendrixson keeps growing in her teaching by attending the National Suzuki Teachers Conference. Master Teacher Clinicians sharpen our musical perception through demonstration teaching.

Hendrixson has been a member of the CCSM faculty for over 40 years.

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Jennie Jung

Instruments:  Piano, Master Teacher

Doctor of Musical Arts, Piano Performance, The Juilliard School

Master of Music, A.D., Piano Performance, Yale University

Bachelor of Music, Piano Performance, University of Toronto

Jennie Jung made her debut with the Pittsburgh Symphony Orchestra at the age of eleven and has since been active as both a soloist and collaborator in North America.  Dr. Jung has performed with the Republic of Tatarstan Symphony, Korean Philharmonic, Taejon Symphony, Korean-Canadian, University of Toronto, Hart House, and Cathedral Bluffs Symphony Orchestras.  She has attended festivals including the Taubman Institute of Piano, the Banff Centre for the Arts, and the Music Academy of the West, Santa Barbara.  As a collaborative pianist, Dr. Jung has performed in North America, Asia, Africa, and Europe, and has been on staff at the Mozarteum in Salzburg, Austria, Aspen Summer Music Festival, Gregor Piatigorsky Seminar for Cellists, and the Banff Centre for the Arts,   Dr. Jung has participated in masterclasses and studied with artists such as Dalton Baldwin, Anne Epperson, Peter Frankl, Margo Garrett, Martin Katz, Anton Kuerti, Robert MacDonald, Karl Ulrich-Schnabel, and Arie Vardi.

Dr. Jung is a member of the Jung Trio with her sisters Ellen (violin) and Julie (cello).  The Jung Trio was the Grand Prize winner at the 2002 Yellow Springs Chamber Music Competition and was awarded the Bronze Medal at the 2002 Fischoff Chamber Music Competition. The Trio has attended numerous festivals and workshops, including the Great Lakes Chamber Music Festival, Norfolk Chamber Music Festival, the Orford Arts Centre Festival, and the Banff Centre for the Arts.  Past performances include recitals in Korea, Los Angeles, New York, Philadelphia, Chicago, and Toronto, and a concert tour of Kenya and Mauritius as representatives of the Korean Kumho Cultural Foundation.  The Jung Trio has performed Beethoven’s Triple Concerto with orchestras in Russia, Korea, Toronto, and Los Angeles.  Their recording of Dvorak’s Piano Trio in F Minor was recently released by the Groovenote Label on LP and SACD.  In 2009, the Trio made its European debut in Berlin, Germany, and at the Mozarteum in Salzburg, Austria.   In October, 2009, the Trio presented its second benefit concert for the Susan G. Komen for the Cure, and in March, 2010, organized Promise for Haiti , a concert raising funds for Promise Child and its Haiti mission.

Dr. Jung completed her Bachelor of Music degree at the University of Toronto with Marietta Orlov.  She received her Master of Music degree and Artist Diploma from Yale University while studying with Claude Frank and was a C. V. Starr Fellow in the doctoral program at the Juilliard School.   Dr. Jung graduated with a Doctor of Musical Arts (DMA) degree from Juilliard in May, 2008.  She is currently on the faculty of the Claremont Graduate University, Pomona College, and the Colburn School of Performing Arts.

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Wendy Kikkert

Instruments:  Piano, Voice, Master Teacher

Master of Music, California State University, Long Beach 

Bachelor of Music, Wellesley College 

Wendy Kikkert holds a Bachelor of Music degree with an emphasis in piano from Wellesley College, and a Master of Music in vocal performance from CSU Long Beach. She has over ten years of experience teaching private piano and voice, as well as directing choirs. She enjoys teaching students of all ages.

Kikkert has sung professionally with Los Angeles Opera, Opera Pacific, Long Beach Opera, Pacific Chorale and the John Alexander Singers. She has performed leading roles with local opera companies and musical theater showcases. She was the founding member and president of the Intimate Opera Company, producing fully-staged productions for 14 years. She is currently a member of the Gary Bonner Singers.

In her teaching, Kikkert focuses on the strengths and interests of each student, giving individualized instruction. She seeks to give students a foundation for a lifetime of musical enjoyment.

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Rosanne Lamb

Instruments:  Piano, Voice, Trumpet

Graduate Certificate in Kodály Teaching endorsed by OAKE, Brigham Young University

Bachelor of Arts in Music, Utah State University 

Rosanne Lamb has over 20 years of teaching experience as a choral director, private instructor, group instructor, musical director, and festival judge. Her philosophy of music education is that literacy in music begins with excellence in teaching, is attainable at any age, and can improve our quality of life.

Private and group instruction includes technique, aural development, music theory, interpreting a variety of repertoire, and the basics of improvisation, arranging, and composition. For more information and resources visit 

rosannelambmusic.godaddysites.com.

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Marna Makau

Instruments: Piano, Organ, Master Teacher

Graduate work at Claremont Graduate School, Columbia Teachers College, UC Santa Cruz and UC Riverside

Bachelor of Arts, University of La Verne

Recreational Music Making for Adults

Marna Makau taught at Machakos Teachers' College in Kenya for nine years, where she was head of the education department. She studied at a teachers' college in Germany for one year and has certification to teach English as a Second Language in California. She also retains a California Teaching Credential to teach through 8th grade. Ms. Makau was also an organist in several churches over a period of about ten years.

Her traditional piano study was with Ralph Travis and Nora Teichmann (Padgogische Hochschule, Gottingen, Germany). She completed Suzuki training through volume 3 with Harlow Mills, Carol Hendrixson and Bruce Anderson. Makau studied the pipe organ with Ralph Travis and Doctor Blanchard. Makau holds certifications in level-one Orff-Schulwerk approach, Multiple Intelligences and Digital Keyboard Ensemble teaching. She taught in the Ontario/Ontario-Montclair School District from 1962-64 and 1967-2002. She was a first-grade teacher and music specialist at Buena Vista Arts Integrated School. In 1998, Makau earned Teacher of the Year in San Bernardino County, and was a teacher mentor.

Teaching Philosophy: "I feel that the Suzuki method (mother tongue approach) is an exemplary way to teach, but that age-appropriate theory and pre-reading are also a necessary part of early instruction for keyboard instrument playing. I therefore take the best of both the Suzuki and traditional methods and integrate them in my teaching. I believe in life-long learning and have gained many insights from observing master piano teachers and attending music conferences. Since piano students often feel isolated from their peers who play in bands or orchestras, I like to give them the opportunity to play in ensembles to discover the joy of shared music-making. Finally, I truly believe that music has the capacity to enrich one's life, contribute to wellness, and nurture a beautiful heart that binds us together as fellow human beings."

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Deborah Marcus

Instruments: Piano

Master of Music - John J. Cali School of Music, Montclair State University

Bachelor of Arts - New York University

Undergraduate studies at Oberlin Conservatory of Music

Masters in Social Work - Adelphi University

In graduate school Deborah studied with Professor David Witten, and Mark Pakman, from the Moscow Conservatory, as well as members of the renowned Shanghai Quartet and the principal clarinetist of the Orpheus Chamber Orchestra to coach her chamber music ensembles for performances.

Deborah has been a piano teacher for over 23 years, primarily in her private studio. She views her major goal in working with students to bring the joy of music and accomplishment into the lives of the children and adults she teaches. 

Prior to graduate school studies, Deborah worked as the Education Administrator for a small, but excellent performing arts organization in New Jersey that had a mission and grants to bring music programs to inner city schools in New jersey. It meant a great deal to introduce children to this kind of enrichment at a time when public school music programs were disappearing. 

Although a classically trained musician, Deborah uses music of varied genres as well to engage students as enthusiastic learners. No matter what style of music is explored, the focus is always on the essential elements of music. Deborah's goal with young children as well as mature adults is to teach them to listen, understand, and appreciate the music they are studying in addition to acquiring the skills to experience the joy of making music themselves as pianists.

Deborah’s approach to teaching is that fundamental skills are not enough and that even young beginners can learn elements of musical expression along with note recognition and rhythm; the shaping of a musical phrase and creating contrasts in mood through varying the volume of sound are among the many nuanced techniques that make playing music so exciting. In Deborah’s experience, in order to successfully engage a student, it is very important that the teacher understand individual differences in learning styles and personality, utilizing that understanding in creative, empathic ways. She is looking forward to doing this as a new CCSM faculty member.

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Olga Meisel

Instruments:  Violin, Piano

Bachelor of Music Arts, Performance, Togliatti College of Music, Russia

Diploma of Togliatti School of Music, Russia 

Olga Meisel started her musical pursuit at the age of seven on violin and piano. She has been a violin teacher for 37 years to students of all ages and was nominated as Teacher of the Year, Togliatti, Russia in 1999. She gives local music-school masterclasses. Her students have won city, regional and country competitions in Russia, and she has had many students go on to professional careers in music over the years.

Meisel has participated in a seminar with Larisa Mageramova, Professor of Conservatory (Tasckent); trained with Sergei Kravchenko, Professor of Conservatory (Moscow); and participated in a masterclass with Eduard Grach, Professor of Conservatory (Moscow).

Olga Meisel has played throughout Russia with the Togliatti Philharmonic Orchestra, Togliatti Chamber Orchestra, and the Samara Ballet Orchestra. After relocating to the United States, she became an associate concert meister of the Claremont Symphony Orchestra and has performed as a soloist with Robert Sage, Director of Music Claremont Symphony Orchestra, for a variety of events.

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Dr. Jane Park

Instrument: Piano, Master Teacher

Doctor of Musical Arts, Piano Performance, University of Southern California, Thornton School of Music

Master of Music, Piano Performance, Cleveland Institute of Music

Bachelor of Music, Piano Performance, Eastman School of Music

Jane Park is an active pianist and educator. She received a Bachelor of Music in piano performance at the Eastman School of Music under the tutelage of pianist Barry Snyder. She then had the privilege to study with Dr. Daniel Shapiro at the Cleveland Institute of Music, where she received a Master of Music in piano performance. Finally, she spent some time at the Johns Hopkins Peabody Institute of Music to study with Marian Hahn before moving back to California to study with pianist Antoinette Perry at the University of Southern California, Thornton School of Music. At USC, she received her Doctor of Musical Arts degree in piano performance along with minors in music education, piano pedagogy and music technology.

A passionate and highly dedicated music educator, Dr. Park continues to pursue various research interests. Among her research, she has written papers on common injuries and prevention in pianists, motivation in young piano students, as well as a literature review on the benefits of music therapy in children with autism. She also wrote a research paper on effective strategies on improving sight-reading skills in young beginning piano students, which was published in the peer-reviewed journal, CAPMT Connect.

Dr. Park currently serves on the board of the MTAC Pomona Valley branch as well as multiple competition committees. She also maintains a successful private studio where students enjoy learning all aspects of music, as well as being prize-winners in various competitions.

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Dr. Daniel Parks

Instruments: Organ, Piano

Doctor of Musical Arts, Organ Performance, University of Southern California

Master of Music, Organ Performance, Cleveland Institute of Music

Graduate Certificate, Organ Performance, University of Southern California

Bachelor of Arts, Physics, Case Western Reserve University

Dan Parks is a recent graduate of the University of Southern California, where he pursued a Doctor of Musical Arts in pipe organ performance, with minor fields in orchestral and choral conducting. In 2021, he researched and presented a lecture recital on German organ music from the Classical era. Dan received a master's degree in pipe organ performance from the Cleveland Institute of Music. While attending the Cleveland Institute of Music, Dan received special honors for outstanding achievement by an organ major. He also holds a bachelor's degree in physics from Case Western Reserve University. In his free time, Dan volunteers at a railroad museum where he works to restore and operate historic steam locomotives. He also enjoys going on hikes and road trips.

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Dr. Maria Perez

Instrument: Piano, Master Teacher

Doctor of Musical Arts, University of Washington, Seattle

Master of Music, University of Washington, Seattle

Bachelor of Music, Piano Performance, Eastman School of Music

Pianist Maria Perez was born in San Juan, Puerto Rico, where she received her early musical training. Dr. Perez earned a Bachelor of Music degree in piano performance, with distinction, from the Eastman School of Music in Rochester, New York, and both Master and Doctor of Musical Arts degrees from the University of Washington in Seattle. Her doctoral dissertation was on American pianist/composer Louis Moreau Gottschalk and his Caribbean-based compositions.

As a soloist, Dr. Perez has performed numerous recitals and a diverse repertoire of concerti. Her debut with the Orquesta Sinfonica de Puerto Rico was received with critical acclaim for her "captivating" and "bold" performances of Mendelssohn's Concerto in G minor and Gottschalk's Grande Tarantelle. Other orchestral solo appearances include the Claremont Symphony Orchestra, Puerto Rico Conservatory Orchestra, Beach Cities Symphony, Pomona Concert Ensemble, Rancho Belago Symphony, Laguna Woods Symphony and the Hour of Power Orchestra of the Crystal Cathedral. 

She has been a featured musical guest in several television programs and live radio talk shows. As a collaborative musician, Dr. Perez's work has included performances with Martin Chalifour, Concertmaster of the LA Philharmonic; Lev Polyakin, Assistant Concertmaster of the Cleveland Orchestra; Tenor Daniel Rodriguez; Irish tenor Ronan Tynan; sopranos Ursula Kleinecke and Hayley Westenra; arranger Tom Scott; film composer John Debney; and world-renowned Chinese Erhu player Ma Xioahui. 

Dr. Perez is a member of MTAC and has been on the faculty of the Claremont Community School of Music since 1993.

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Christine Rhodes

Instrument: Piano

Bachelor of Arts, Music Education, University of California Los Angeles

Member of Music Teachers Association of California

Christine Rhodes is proud to have served on-faculty at the Claremont Community School of Music since 1987. She has taught private studio piano lessons since 1978, when she began her music education journey at UCLA. She has taught all ages and styles and focuses on concepts of theory and sight reading. Her goal for each student is for them to enjoy and love all styles of music for themselves.

Rhodes has the pleasure of being the accompanist for the El Roble and Claremont High School choirs.

 

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Irina Scolinos

Instrument: Piano

Bachelor of Music, Musical Pedagogy, Pedagogical College, Musical Pedagogical University, Moscow

Irina joined the faculty at the Claremont Community School of Music in 1996, where she has been working with students of all ages. Irina is a member of the Music Teacher's Association of California (MTAC), a professional organization dedicated to the pursuit of excellence in music education. She is also certified in the "Every Child Can!" method from the Southern California Suzuki Institute, a program that strives to make music learning accessible to all children by teaching them to first play by ear. Moreover, Irina completed the Robert Pace Keyboard Method for preschool and adult beginners with Dr. Marsha Wolfersburger, focusing on big-picture concepts, mastery through creative practice, and more.

Irina believes that every student, regardless of age and ability, has the capability to learn music and reach their goals. She strives to give each student and individualized approach and help them enjoy learning music at their own pace, targeting weaker areas to improve overall performance.

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Jeffrey Sweede

Instrument: Jazz Piano

Bachelor of Business Administration - Emphases in Finance, Real Estate, & Law; Minor in Music, Cal Poly Pomona

Jeffrey Masaru Sweede started playing and performing on the piano at age five. He has studied with Marna Makau and Artemis Bedros, and has participated and placed 1st in the Impressionistic/Contemporary Festival, MTAC Pomona Valley Branch Romantic Festival, Division VI Torrance Piano Festival Grand Prix, and The Walker Competition.

At age 15, Jeffrey found a true passion for jazz music. He studied with Brian McNair at Alta Loma High School and went on to compete in the Reno Jazz Festival. He was awarded 1st place with his trio and also the award of Outstanding High School Rhythm Section Performer. Jeffrey has performed at numerous venues in Southern California with his trio, the Exit 9 Trio. Jeffrey also participated in the Cal Poly Pomona Philharmonic Concerto Competition and received a merit-based scholarship after placing 1st in 2019.

Jeffrey's true passion is spreading the word of jazz music through the piano. His vision is to work on students' creativity, historical understanding, and performance techniques.

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Dr. Tatiana Thibodeaux

Instrument: Piano, Master Teacher

Doctor of Musical Arts, Piano Performance, Claremont Graduate University

Master of Music, Piano Performance, Juilliard School of Music

Born in Russia, Tatiana Thibodeaux came to the United States to participate in a Music Festival and has remained in the USA ever since. She has gained critical acclaim in Russia and across several continents: Asia, Europe, South America, and North America. She is a winner of the Young Artist National Piano Competition (Russia), Liszt International Piano Competition (Germany), Association Musicale Mérignac Aquitaine (France), and PTNA Piano Competition for Promising Artists (Japan).

Nationally and internationally, Thibodeaux has performed as a guest soloist. She has appeared as a concerto soloist with Lyric Orchestra, St. Petersburg Symphony Orchestra, Ekaterinburg Symphony Orchestra, National Symphony Orchestra of Ecuador, Budapest Philharmonic Orchestra, National Orchestra of Catalonia, Chiba Symphony Orchestra, and others.

Thibodeaux holds degrees from Saint Petersburg Conservatory, Julliard School of Music, and the Claremont Graduate University, where she was a Graduate Council Fellow. She is currently on-faculty at Scripps College in the music department. Thibodeaux has also served on the faculties of St. Petersburg Conservatory, Xiamen University, and Universidad de los Hemispherios.

Both the National Endowment of the Arts and California Meet the Composer Series have awarded Thibodeaux performance and teaching grants. From 2012-2014, Thibodeaux was honored as a Fullbright Scholar in Music and American Studies at Ural State Pedagogical University, Russia and at Astany State Conservatory, Kazakhstan.

Thibodeaux has appeared as a guest faculty artist at UC Santa Barbara; the San Francisco Conservatory; the Classical Music Festival in Ekaterinburg, Russia; the Liszt Academy in Hungary; Hochschule für Musik Franz Liszt in Germany; and Xiamen University in China.

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Gary Tole

Instrument: Trombone, Euphonium, Tuba, Piano

Bachelor of Arts, Duquesne University

Gary has had a long and illustrious career in the big band world, including performances with the orchestras of Jimmy Dorsey, Tommy Dorsey, Ray McKinley, Tex Beneke, Stan Kenton, Ray Anthony, Benny Goodman, Xavier Cugat, Woody Herman, Louis Bellson, Bill Holman, Bob Florence, Buddy Childers and many more.

In addition to trombone, Gary also plays bass trombone and euphonium. As an active clinician for Yamaha, Gary participates in music education programs as a judge for jazz festivals, band and orchestra festivals, and private teaching of the low brass instruments. He has traveled throughout the country conducting various clinics.

Having a sharp eye for perfection, in 1984 Gary started his own entertainment production company, Gary Tole Music Productions, Inc. He has accomplished what seems economically and socially impossible in the new century also: his own sixteen-piece ensemble, Legends of Swing, has become one of the world’s most sought-after Big Bands, in heavy demand nationally and internationally for its white-hot tributes to icons like Glenn Miller, Stan Kenton, The Dorsey Brothers and Benny Goodman. In 2007, Legends of Swing released its second recording, the multiple-Grammy-nominated “One Kettle For Count” (Summit), falling under award categories of Best Large Jazz Ensemble Album, Best Instrumental Composition, and Best Instrumental Arrangement Accompanying Vocalist(s).

Being known and recognized for his accomplishments and high standards, from January to December 2011, Gary was the leader and director of the world-famous Glenn Miller Orchestra.

Presently, Gary is producing many internationally-acclaimed artists. He is well-established in this arena and recognized for his outstanding production work, which has all been recorded, mixed and mastered at Capitol Records in Hollywood, California. His latest production is a gospel album My Angel with a 43-piece orchestra.

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Svetlana Woloschuk

Instrument: Piano

Bachelor of Music, Music College n. M. Lusenko. Poltava, Ukraine

Svetlana Woloschuk is a professional pianist and piano teacher. She studied music pedagogy, music theory & harmony, and music history & literature. Svetlana was a student of Professor Elena Natalevich at Odessa Conservatory and Lubov Drobitko at Kyev Conservatory. She and her students performed in annual concerts presented by Poltava region. She has received various achievement awards for teaching piano in Ukraine.

Since the year 2000, CCSM students in Svetlana’s studio have participated in the Junior Music Festival under NFMC (National Federation of Music Clubs).

Svetlana is a member of MTAC - Music Teachers Association of California. As a member of the Temecula Valley Branch of MTAC, she prepares students to receive the Certificate of Merit. The exam includes knowledge of theory, technique, music literature and performing classical and contemporary music from Levels 1-10. Her students have received Branch Honors and medals and have also participated in the Honor Branch Recital.

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Leeza Yorke

Instruments: Voice, Piano

Bachelor of Vocal Performance, Indiana University, Bloomington

Master of Vocal Performance, Cal State University, Fullerton

Leeza Yorke is a mezzo-soprano vocalist, earning her bachelor’s degree in vocal performance from Indiana University, Bloomington and master’s degree from Cal State University, Fullerton. Yorke has portrayed the title role in Pauline Viardot’s Cinderella (Lyric Opera Orange County, 2022), Zita in Puccini’s Gianni Schicchi and Michael Ching’s Buoso’s Ghost (Cal State University Fullerton Theatre, 2022), as well as Stefano in Gounod’s Romeo and Juliet (Lyric Opera Orange County, 2023). She has made her international debut as the Nursing Sister and covering the role of the Princess in the International Lyric Academy’s production of Suor Angelica, in Vicenza, Italy. In June of 2023, Yorke made her appearance as Mother Abbess in The Electric Company Theatre’s production of The Sound of Music, where her “incredible mezzo-soprano voice brought chills down the spine.” Other roles include Madame Manon in Mission Opera’s west coast premiere of Girondines, Delilah in Saint-Saëns’ Samson and Delilah, Charlotte in Massenet’s Werther, and many more. Outside of performing, she teaches classical and musical theatre privately and academically.

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Dr. Ruisha Zhang

Instrument: Piano, Master Teacher

Master of Music, Piano Performance and Piano Pedagogy, Westminster Choir College of Rider University

Doctor of Musical Arts, Piano Performance, Claremont Graduate University

Dr. Ruisha Zhang's teaching philosophy centers on a deep passion for education and a

commitment to nurturing each student with love. She is a registered Suzuki teacher, a member of

the Dalcroze Society of America, and the Music Teachers National Association (MTNA).

Born in the Southern China, Dr. Zhang began her piano training at the age of 4. After graduating

from Law School in 2006, her passion for music and education rekindled, leading her to start her

piano teaching career in 2008. In 2011, she moved to the United States to further her studies as a

concert pianist and professional piano teacher. She completed her Doctoral degree in 2023 with a

Degree paper titled “Exploring a Potential Shift in Piano Pedagogy: Perspectives on Instructing

Young Piano Beginners in the Playing Technique and Musicality of Historical Keyboard Music.”

As a Suzuki Registered teacher, Dr. Zhang combines Suzuki and traditional methods in her

teaching. She excels in creating engaging lesson plans tailored to individual students of various

ages and skill levels, and conducts group classes to foster collaboration and teamwork. This

inclusive approach has helped her students succeed in competitions, achieve high exam scores,

and develop essential life skills such as self-confidence, problem-solving, and self-discipline.

Dr. Zhang is also an active concert pianist, performing solo and chamber concerts internationally,

including in North America, South Korea, and China.